Music reviews: Bach Keyboard Concertos: Concert 4, St Cecilia's Hall, Edinburgh
![Christine Schornsheim. Picture: EIF](https://www.scotsman.com/webimg/legacy_elm_79138505.jpg?crop=3:2,smart&width=640&quality=65&enable=upscale)
![Christine Schornsheim. Picture: EIF](/img/placeholder.png)
Bach Keyboard Concertos: Concert 4, St Cecilia's Hall, Edinburgh * * * *
Andreas Staier played the 1769 Taskin while Christine Schornsheim sat at an instrument made in 1764 by Goermans which Taskin substantially altered some twenty years later.
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Hide AdThe tonal blend of the two instruments was perfect with Schornsheim’s sharper articulation adding brightness in the quicker movements. Other than emphasising a phrase here or there in the outer movements, Bach didn’t write much for the Dunedin Consort string quartet especially in the harpsichord duet, a wonderfully decorated adagio.
After an understated account of the Fantasia in A minor, Staier applied more colour and vivacity to the quicker movements of the Keyboard Concerto in A major but the larghetto, a Siciliano, would have benefited from a slightly faster more dance-like quality.